Clearscapes

Exhibitions

• ONE PERSON SHOWS:
• "Thomas Sayre: New Work"
  Gregg Museum of Art & Design, NC State University
  Raleigh, NC, 2009
• "Out of the Ground: New Earthcastings"
  Artspace
  Raleigh, NC, 2007
• "Crosses"
  St. Mark's Episcopal
  Raleigh, NC, 2007
• "Thomas Sayre: New Work"
  Glance Gallery
  Raleigh, NC, 2003, 2005
• "Thomas Sayre: Earth, Vessels, and Scribbling"
  Hodges Taylor Gallery
  Charlotte, NC, 2003

• "Thomas H. Sayre: New Works"
  Fayetteville Museum of Art
  Fayetteville, NC, 2002
• "Thomas Sayre: Gun Shot Paintings"
  Hodges Taylor Gallery
  Charlotte, NC, 2000
• "Thomas Sayre"
  Carillon Building
  Charlotte, NC, 1996
• Somerhill Gallery
  Chapel Hill, NC, 1992, 1995
• University of North Carolina
  Visiting Artist, 1991
• Fayetteville Museum
  Fayetteville, NC, Winter 1988

• Raleigh Contemporary Gallery
  Raleigh, NC, 1987, 1990
• SECCA
  Winston-Salem, NC
• North Carolina Museum of Art
  Raleigh, NC
• GROUP SHOWS:
• NEA Regional Award Recipients
  NEA Panel, Atlanta, GA
• South Florida Art Center
  Miami, FL, 1996
• South Carolina State Museum
  Columbia, SC, 1994
• Mint Museum
  Charlotte, NC, 1993

• John Portman Invitational
  Atlanta, GA, 1992
• North Carolina Triennial
  NC Museum of Art
  Raleigh, NC, 1986, 1990
• ArtQuest '87 (Merit Award Winner)
  Boston, MA; Los Angeles, CA, 1987
• NC Arts Fellowship Award Exhibition
  SECCA, Winston-Salem, NC, 1985
• Northern Telecom Invitational
  Research Triangle, NC, 1983, 1984, 1987
• Cranbrook Academy of Art
  Bloomfield Hills, MI

Publications

• "Inside His Studio," by Liza Roberts
  Walter Magazine
  November, 2012
• "The Work of Art," by Neil Hinson
  "Glowing Results," by Karen Johnson
  Artsee
  January/February 2012
• "Meet Our Four Favorite Artworks at U.S. Sports Stadiums"
  Public Art Review
  Fall/Winter 2011
• "Commissions: Citizen"
  Sculpture
  May 2011, Elizabeth Lynch
• "New Orb Sculpture Coming to Nationals Park"
  Washington Post
  August 3, 2010, by Dan Steinberg

• "Grenzuberschreitender Verfall"
  Critical Review of Exhibition in Hattingen
  Westdeutsche Allegemeine
  September 3, 2009
• "Art Inside Out"
  The New York Times Travel Section
  June 14, 2009, by J. J. Goode
• "A Watershed Moment for Public Art in Calgary"
  Public Art Review
  Spring/Summer 2009, by Cliff Garten
• "Cairn 43"
  The New St. Andrews Review
  2008
• "The Grain of the Earth"
  Thomas Sayre, New Work, pg. 15-17
  North Carolina State University, 2009, essay by Roger Manley

• "Out of the Earth"
  News & Observer
  December 21, 2008, by Luciana Chavez
• "Commissions"
  Sculpture
  October 2008, pg. 24, color photos
• "Shimmer Wall"
  Architectural Lighting Magazine
  September 2008, by Meghan Smith-Campbell
• "All That Shimmers"
  Metropolis
  August 27, 2008, by Chuck Twardy
• "Raleigh's Shimmer Wall Draws Attention"
  News & Observer
  July 11, 2008, by David Bracken
• "U.S. Recent Projects (Furrow)"
  Public Art Review (Issue 38)
  Spring/Summer 2008, pg. 89 (color photos)

• "Of More Than Ordinary Significance"
  Star & Lamp
  Fall 2007, pg. 15-18 (color photos)
• "A Review of the Thomas Sayre Exhibition
  at Artspace in Raleigh, North Carolina -
  Out of the Ground: New Earthcastings by Thomas Sayre"
  Carolina Arts, June 2007, by Andrea Gomez
• "Open Doors to Innovative Concept"
  Metro Magazine
  January 2007, pg. 3, (color photo: "Floc")
• "A Work in Progress"
  Triangle Lifestyle Magazine
  November/December 2001, pg. 28-32, by Sheree Thaxton
• "Thomas Sayre: The Serendipity of Earth Casting"
  Sculpture, September 2001
  pg. 14-15, by Raphaela Platow

• "Portrait of the Artist: Thomas Sayre"
  NC Museum of Art Preview
  August 2000, by Huston Pascal
• Liberal Daily News
  Taiwan, July 17, 1998
• "Children's Museum About the World"
  Korean Architects
  May, 1995, pg. 40-45, color photos:
  wind reeds, marble wall, rocks and stream
• "Concrete Foundations"
  Architecture
  July 1994, pg. 50-57, color photos:
  "Brothers" and "Cousins", pg. 57; "Untitled", pg. 52
• "Spirited Revisions"
  Historic Preservation
  May/June 1992, p. 12, by Andrea Oppenheimer Dean
  feature article with color photo